等待/*方舟

剧情简介

Set in an/ un)!.derground d\unge.__o,n in:hab$ited
b (=y bundl* e.d, =?ragge; d human_ beings, af!ter the nuclear h `)olo !;caust. T!+he story f!;$ollo)ws the wand?eri ,ngs of a )-hero th$rough
% :.#the situati[
ons of survival. %=[P-eop%@le )wait fo+\r th%%e A rk to a[[r:rive and res:cue the#)^m ^%while their habitat fal/\/_ls /;-apart.　　Delving( dee*p; i) nto the dusty and long]/ 
;:abandonded vault` s of $b-cinem?_!a in se ar[ $ch of lost ge \+ms a(].lways leaves m\. ^e with a bittersweet ta%)ste. O+n one=*(` han! )d th.e discov.er+^ y of` unex%p;:ec;ted ge?:$
ms where no one would think%/@ (;t+hem p(ossible i+#s? a rewarding e#x per, i:[ence..  On the other hand tho--%ugh it]/ `_m`:a@kes one wonder . ,[how many of the]\!se r-:/emarkable lo%#w-budget oddities*$\;, perso nal love a/ffairs of directo+rs never quite `*:/famous and now a;ll but f;org:@otten?,\- have almost forever slipped =from me ]:mory　　n an[ y cas-e wh_at ]^ we ,.have her)
?e is a little po\+st-apo
_(c#al@=+:]yptic gem f+.rom Pola-\=nd that is^_)! re:))a lly (better tha,n it has any right to. Th[*e dystopian
 near futur(-e  o* *f O-BI, O-+BA finds [_ !a gr^(oup of survi:^vors/- o?%$f the\
nuclear wa ;*r that ravaged t^he Earth ]inhabiting : ]an :%underworld concret e @bunker `#,and biding their t.ime,; a..+s they w/ait ?f or the my?-steriou)s^)*- Ark, +\,an air ship of-/ so_me ::kind t;
h;at* will @\come and=  save th 
em. The Ark pr_?oves to be an e**, laborate! hoax+?, carefully designed to g?ive ho@pe to the^ malno

uris/hed and despera te _denizens of #the! bunker, while in th;e mea.n*ti`me the dome /that sepa(+\r(\ate\ @s their miserab?=le! existence fro`m th 
e nuc=l+!*ear 
(winter outsi:;de is slowly c(!%aving in.　　What first stri+;ked me about t./ he movie is the $
=design of,+ th![ e bunker?! and ^:%the depiction of t?/%he su,\#rvivors. The survivors ar$e!-^ gaunt, )filthy and terri$@ ble-loo [king pe$ nite?
nts, d=_r`#-+essed ,[)in rags and aimlessly wand\![eri`ng@?= the !=n-]eon-lit ha%@ll))s# of t][[he*#] bunker l+%#ike a`]uto)%matons. T*\%he bu@[,nker is a rund,own, seedy!$ p`lace, with bright ne, $on lights pe_:er,_ing fr
o?[m all sides l[+ike the e*!%y^-#es. of malig^n!(ant be_^ast s.　　On one hand %it(- is]/ a sl#*)ightly 80'%#(s @+/depiction of the dystopi %+_an futur%]e but the%  movie never ;
)stoop\s do*^wn to MAD@:_ =.[@M*AX c heese. Instead it c#ombines b, ^=iting political sa$

tire ?].with the [,bleak  outlook of a wor#;[ld w=]-.ith no fut)[u` %re,%!/ black c(==o%m\,#e:dy with;%*[ barbs ,#$*on apathy, religion a[`]nd power. The+= s#urvivors^_ , for ex?*ampl e, (\%are-_ fed som/!.e kind of flo))u, r d[rop/\ping from a -./tu=be that hov-,er`s in] the air: - later ? on we d!.is\
`cover`:; t
^he food supe=?rvi?so((r` uses boo$.-k_$-s
 and t he Bible \itself as filler for t_h?(+i=s *,%mea`!gre me al [. Th]=/ere ar e ma:ny such sh,;ort ]
_)symb@[:olic t\)ouch+)/es (, p;,erh%;=aps
()not #,]life$@
-changi ng or fa]$ith--restoring, yet play:#fu!l, c_#le\(\ve^]r an .d$ inspired@.!.　　One thing is for s]ure;,]^ O-BI, O-BA is not
.your run-of-the-%m=i]$\*-ll sci-f?i schlock . I::)t o,]ver,com[ es) its mode;st budget wit@$^h creativity and has genuine #ar/$tistic aspiration-,$s both =f):]rom *[^a w?-riting and di(=recting perspecti?ve. My opin)ion is ))
t;hat it sh []o!uld have,]/ be]][en film/ %ed in black a=
nd white in%stead/\ of col)(]our %thou?($gh. The di
$recto_]r uses atmo?spheric/% light and shadow to ^[great effec]+
t and it would h=ave r$_egiste/(]red
]-; even better @-,in =stark bla+ck and white. Th%=- e blue-g%reen neon on). ; the other hand ou+tst(_?^ays its _-?welcom^e a:@fter a w$_\hi le. ;, Just a minor gr%ipe in an otherwise solid b-movie with its ;h`!]eart set in all the (,`))right p@@,@laces.　　Imagine a)_ less:(% bleak THE ROAD (Corm+ac McCarthy) bein,/g injec:@ted @^with the]@ +:sati /re an\d)$- humour o;f DR.STRANGELOVE and .you'[ %:re getting. th;:?er??
e. See it if you can fi nd it.