

胆包@ 天
剧情简介
Umberto Lenzi is undoubt%^edly the =:kin:g $:`of Italian crime movies,$= but unfortunately; Synd*ic`!:ate =? Sad/-i$^sts is n]= ot; the_@ best exam$?/+@p*.les o_*f his work= in this\! !,gen)+r?_([e. Lenz!^^*@i)':s cr`[ime(+ flicks tend t=*o be a cut above+ #the res\ t becau\se h@ $)e mak?\+e ^s films _`based on s#(torie[[s with a point,`+ a%=:nd they do)n_)'t lack d?,]irection; but th\_i_s %^film fee:ls a b[+it t +:oo wayward $;(to full?\y fit with `= /the rest :`of-^ hi [.s stuff. =,.The film tak es ^:obvious inf+ l]uence from Sergio@ Leon@e's+(_ land(,mark we[- stern 'A F/?istful , of Do@+(?llars' (wh i@ c. h in turn, took influen%ce #:from Akira Kuros\$.[awa'?, s l /andmark samurai flick ;*Yojimbo)^, in ]th!at it features two war`;) r`ing fa)m(?#ilies -$ %an,d a `^strong cha[;racter +$at the centre+ -. The cri\me that Lenzi f#]oc#_ u*._ses on i).s kidnapping, an^d we c: entre^ on a cha`*racter called 'Rambo'. R,ambo i \!s dra gged in;^to the wa#r b+^:etw[=een t ,;he two f*[;a$mi lies a(f`/t?er %his b]`rot#her is kil-led b@ \ecause of it.]+- Ram-_[bo uses* %his brains= and brawn to _[pit the [\^$two familie:#!_s aga^!ins$$t o%ne another, in ]?@the hope of gainin-^!g reve, nge _?for h^#is brot=\her' -s _ death, rescuing a (:young b oy/= t(\hat they've kidnappe:%$d*$, ) an*!d ultim`ately letting *t-(he two si^*]!des destroy[`) one ano$$the\]%r!;#@. The fi``=lm's $b$)\iggest ].asset i+s undoubtedly T-`omas Milian. @=Milian was put to great use^$; by L^$; enzi in almost all %o,f his]* cr.i-+me thrill- ers. @/The rang* e%: of char#,acters he has played \f-/or Lenzi :is immen [se, a_n d this one is easily one of the $ coolest. T%`he charact;er)!@ @@\is called Ram+bo, which immedi%a`@tely sp!rang to mind? th:e po\pular Sylvester Stallone character - b(;ut f:or once, the Italians actua^\lly haven't stolen this name as! Syndica/[!te $%;Sadis_=_ts % wa #s rel@ e\as ed f irst! As u_:/s_/. ua-l, the film is wick#!edly entertai*/nin,\ g, as we get to w\^atch Milian @ get hi%ms !elf involved in th#\/e :*us@ual array of car c*@h#ases@?,) shoo*touts an.*$d brawls. Lenz^i h*,/as g#^ot him riding a \ m$o,torbike ^[thi,)s t) ime r%ound, a=@nd every scene feat@+ uring `it[, and M_[=ilian is@@ a r^ea l s tandout!- However, the film often feels like it doesn't really* have anywher)-`e t?o go, and this -( means that t+[he running: time is stretched out mo@+re than it s%hould be. Compared to the crim^!e _*film:*s of`. other Italian direct[*ors, Sy)@+$!ndicat-*@e Sad$#ist_@[s is more #%th_an above aver-age; b !ut in relatio:_n+^+ t!#o Le-_nzi crim: e flicks such ./ as $_$Almost Huma/*n= and The Cynic,*-` Th/-e Rat and The F`[ist - i- t doesn:'t` stand tall ^as o_ne of L_ $enzi's best. S;ti !ll, if y;ou';re looking fo^#r; ninety! mi`+ ?nu-]te/.s of testoste!)rone fuel !led% mayhem - S]+yndica! =te Sadists$ * wil @+l :suffice!
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