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米兰^九口径

米兰^九口径

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年份1972
地区其它
语言其它
状态HD中字
导演:费尔南多·迪·莱沃
演员:加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫

剧情简介

Fernand;@o Di Leo``'s M@+^_ilano C  alibro ! 9 is an out-and-/out maste;,rpiec e of Italian Crime cinema and.-*, !^$ in my opin:_( ion^., one ! $o_f, the most ast?onishing cr^*im@e* stor;-ies :*e#ver told. The first film in Di =*Leo's e.)xc?ellent 'Mili *eu' trilogy, `_M@.)(i l, an^^o + Calibro 9 wa_s fol[!(lowed- by La Mala Ordina (aka. Ma[=nhunt, als !o 19=72) and th+)?/=e` brilliant Il_! Boss (1-;:973-). The three fi*)^lms+ are not. connect\*#ed st*ory-wise, but: all three (,are. [ excel ;lent, ]@and`) highly realistic portrayals of o[^rganized crime. As f(\ar as I ;am _ concerned. Manhun_/t is ^/(allthough e$*xcelle]nt) slightly i@\n*ferio@. r to thi s one ]+and (I:![l)@ Bo( ss\^ wh?,i$!@ch both [s-#tand o(ut ^as ab;%solute all-time highl^:%$ights of cr_$_im,(_\e cinema. Milano Calibro 9 [^*is the b^\est of them all, a film tha`t is ].astonishing :in?$ all @^+aspects, be i*t the ingeniou`+s pl %#ot !^ =that, apart from a c+ompelli ng story a[nd cle^ve#\r _`twist=s , /in`(cludes soc^] i#al cr,,itic#ism, ^*)the pe rformances,/, the gr $itt)y /atmosphere and, sus_#(@pense o)r _ the brillia._nt?+ score. I c[an hardly*; find the right words to expres; ^s my admiration for this m=^.asterpiec,*e w] hich easily rank -s (a:mong the greatest Ga@ngster_@\ flicks ever brought to s-(creen.  Gastone Mosch?in stars a,s Ugo [ Piazza, a toug*h an!d ellipt@,`ica+l e$x-convict +who has* ;(just ,-been /released `+from pr)i:\^son.` Immediatel::@/y after his r)+elease, %`=U%?]go is ap+pr`oached /*,/by memb!.ers^]@ o:_f the Milan mob lead by*`!% t%]h,)=e i$rasci=+.ble: gangs!]ter Roc_c]!o (Mari/o Adorf), as they suspect him t /o : (*be_ responsi[ble for the d%;i`:sapp earan]^ce of a large su[`-*m of money bel@.onging^ ,:to; their boss, an Amer%##=i-!can (Lionel Stander) who  co ntrols th?e o% )rganized )%crime in M_ilan..]:#.  M/ilano/+ *Calibro+; *)=9 is a film that `delivers an astonishingly [+rea [[l:istic mood of the !underworld !li=ke ha?rdly another. T;[]he intriguing storyline goes`_\ in hand +[ w,_ith interesting characters, ra#w a ^t+[mosphere, suspens%e and breath!takin.g a)ction, soc**?^ial criticism and#? brutal vi?#$olence. The f#%il(m is sim (+ply stun/nin.g fro*m the beginning to = ^ =the end, whic/:h is even int$[+ensifi/ ed by the br;,,i](/lli;$.ant s*core, a collaborati_on of the famo ,[us co,]mposer *_Luis Enríquez B:; !ac_alov$; ,)@a[^n_)d the Ita)lian Progressive] Rock band O_sann a. Ugo [P?iazza mus$!t be on^ -e@+ of (the ^?most chari?!smatic ga?n@gster characters ever in / .-cinem_$a#;, a+$nd Gastone M=-`oschi-,n( was the pref#ec _)t^_ .ch #oi-\?.ce for th\ e %)/role^.+ Moschin delivers a bri_#@)lliant p $`er_!for,mance, and the rest)/ _of the *\ca%st @is a) lso gre at. Mario Adorf i)$s ir.ascible$ `like a rabid dog ]*as the fer;%_ocious gangster Ro ? cco, (a role that ]_fits him like ; a glove . The great =$_Lionel Stander fits perf+;ectly in[ his ro;le of @: the Americ$[-an) Mafia D:,on.  The two cop c!hara(cters in the film \;are* played b[)]y ?/two of the- greatest regul:*/ars -?+ of It?alian!*? genre-cinema, Lu,igi Pis`[till],)i % and Frank Wolff (w=;ho committed (suicid[ e .` ^@befo \re the film was ?%_r.#eleased).[? The r=_,[av$;!`ishing B$arbara ;Bouch.et ^!is \- astonishing * and inc,redibly sexy +_in t*h`e r+ole  #of Ugo Piaz*$)z ;!a'\s stripp` er gir-lfriend. ^]`B:o -uche!@ t; is both a ^+s tun`^,nin[`g b^!eauty a ?nd a! %n exce!llent actress an(^d this )is@, doubtlessly one of he% r .$[most me!*mora ble ( roles. This =`\is al`?so a politi+:cal fil/^@m and director Di Leo- e^mbedde.d a +-lo:!t of \socia+?l critici#].sm about ;[ t#opics lik.e@ c$\! orrup )tion\#%*.@@ T/!hi^s _)film s_/)imply ha!^$s everyt-;`]hing one can possibly d esire in @cinema. ]Films like M:=ila.?;=n o Calibro 9 are the re,as ]/on why I lov e cinema. This is an  absolute m? asterpiece@  in ;+all r#./egards/; and, without %; ? ex]@a+$gg eration, one o-*f ]:))the greate` s t Crime##^ fli;$cks ev:\*e\r ma@$[de! /__ Th)e i%#ngeni *( ous\ openi ?ng scene+ alo]ne is m?_ore memorable than most films get in two ho)urs.

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